5 Excerpts from "Via Crucis" (from Stations of Light)
II JESUS TAKES UP THE CROSS
I take up permeable substance
I take your durable olive of Solomon’s temple up
I take up this Cedar of Lebanon, Dogwood of the Second Covenant
O Citron of Babylon, Cinnamon of Malabar
I take you up, so bloom like a lily,
O bastard Crux Grammata
I take up your gamma contours and annular rings
Sephirah! The memory of your blossoms, I take them up.
I take up the profligate beauty of your ramification
I take you up to grow in my light
In shadow and in shade I take your right angles up
Under sun that blooms under my power
Mair, Cross upon the wombs
of the idols of Hittites, I take you up
I leave my blood upon your limbs
I leave this kiss upon your porous mettle
I take you up, for of your mettle lyres are made
I take up and bear your dead weight,
I bear your dead weight
I bear your nut-brown flesh
I carry your body absent
of new green growth
I raise and see you,
indigenous to India and Ceylon
I take to the streets narrow with drear
I take follow the way narrow with drear
I lift up your perpendiculars of marrow,
your coarse bark
I hoist you, O, almond of awakening,
apple of forbidden, fig of spirit—
Myrtle of generosity, I lift you up
Gopher wood of Noah, pomegranate of eternal life,
garnet almug, branch of fork lightning,
cypress of promise—
Given up for you, I take you up
I take you up and eat of you
I marry you
to my flesh
We assume
the position
We
take
the shape of a raptor
or
dove.
IV JESUS MEETS HIS MOTHER
You are all
you could
never
stop
in me
I am
all
you could
never imagine
I might be-
come. Cry out
at my crowning.
Bring life again
See me
for all
I am
where I stand
at the door
between being and not
being. Watch me
watching you
know the full
force of what
I am
so as
to throw it back
at me
like a voice.
Say “Yes,” again, and
forgive me. Forgive me, Mother,
for you now know
what it is
I,
fruit of your womb
ripe and having fallen
not
far from the tree
now do.
VI VERONICA WIPES THE FACE OF JESUS
Take off your veil, Veronica,
Hold it in two hands.
Take your veil off, Veronica,
Behold an echo of complexion
spelled out in lacrymal ink
trace blood on sack cloth,
immiscible, Veronica,
true
enough
to see.
Into your hands,
Veronica, the shape of
my grimmace,
death mask on a rag.
Take that
woven object
from your head
Let your hair
out. Let your
hair trap light.
VIII JESUS MEETS THE WOMEN OF JERUSALEM
I call out to you where you sit at your hearth among children.
I call you to serve, O Rabbis!
I call for the power of your mighty blood.
Do not stand outside the door while I am calling you.
Don’t you hear me? I’m calling you.
No more will high priests fear your power.
No more shall you be kept from my altar.
No woman walks behind me.
Givers of birth, I call you,
you who come without swords.
You are my chosen,
you women whom I call to the altar,
you women who console
with words and balm.
I call you to serve as priests in my temple.
I summon the power of your mighty blood.
I call for your strength,
which men fear.
I do not fear it.
IX JESUS FALLS FOR THE THIRD TIME
A halo of cold stars bites the wax of my scalp
Mud is all I see
No field of vision stretches out ahead various with undulating luster
No water of any kind flows
Not even tears are clear
I no longer hear
Gold Crests, of Sylvia Warblers —
song covered over
by the hammering in my head
No more lilac clouds,
no more swaying
cypress fronds —
Neither pomegranates, nor plums
interrupt the deep ache of surrounding din.
No blue mist cools
No sapphire night ameliorates
No grape to quench
My flesh shrinks
from any hint of touch
I am well-baked
If there is hope for relief
I have no sense of it
I feel only
down
There is nothing
upward in me
I am
impenetrable
I have no confidence in anything
The earth hungers to swallow me whole
I am
beyond
the certainty that,
well-despised by all I love
I want
nothing
more
than to die
right here on this spot
(I won’t get up)
on this spot
(I’ll get up)
not so very far
but a long way off
from where
for no good reason
I was born.
end of excerpt
Michele Madigan Somerville
Revised. April 2. 2021
NYC
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